Corinne Bach is an accomplished soprano, recording artist, and founder of The Bach School of Voice, Bach Entertainment, and The Singing Circle™, where singers of all backgrounds learn to master their technique, mindset, and performance. A headlining soloist on luxury cruise ships and stages across the U.S., she also toured nationally with the First National Broadway Tour of Meredith Willson’s The Music Man, and has multiple recordings, and has performed in more than 80 countries.

As the only MTNA-certified voice teacher (NCTM) in Central Florida, Corinne bridges artistry and science with a holistic, evidence-based approach rooted in vocal health and expressive freedom. Holding both a Bachelor’s and Master’s degree in Voice Performance and a post-secondary degree in Speech Therapy, her teaching philosophy is all about cultivating healthy technique and artistic expression side by side. This philosophy grew from her own journey as both a professional vocalist and a dedicated voice health advocate. After experiencing and fully recovering from a significant vocal injury in her mid-career, Corinne became passionate about understanding the voice at its deepest physiological level, integrating that knowledge into every aspect of her teaching.

Over the years, Corinne realized that within the scope of higher education, voice teachers are often bound by red tape and institutional parameters that don’t serve the growth of the whole singer. In her programs and private lessons, she can teach what most universities don’t: how to build an industry-ready, independent career as a singer. Her students learn practical, real-world skills—from mastering healthy vocal technique to auditioning successfully, creating their own performance opportunities, and even generating income from their art—all at a fraction of the cost of a college degree.

Today, her pedagogy combines research-backed vocal training, emotional intelligence, and performance readiness. Students not only learn to sing with clarity and stamina but also to interpret music with insight and authenticity. Her studio emphasizes transparency, structure, and empowerment—every singer receives personalized resources, onboarding support, and a clear roadmap for growth through recitals, showcases, competitions, and paid events.

Corinne’s mission is simple yet profound: to equip singers with healthy, sustainable technique and the confidence to create their own stage—whether that means performing, auditioning, or teaching the next generation of voices.

Soprano. Educator. Storyteller.

Faith Victoria Kopecky is a passionate and versatile soprano whose artistry spans opera, art song, and musical theatre. A graduate of Indiana University’s Jacobs School of Music (MM, Voice Performance) and The University of Tampa (BM Vocal Performance & BA Theatre), Faith combines performance excellence with a deep commitment to vocal pedagogy and education.

Faith was most recently seen as Morgana in Handel’s Alcina with Chicago Summer Opera. Other notable credits include The Reporter in Michael Ching’s Notes on Viardot with Music on Site, Gertrud in Hansel und Gretel with Chicago Summer Opera, Narrator 1 in Mr. Brewster’s Invigorating Invention with Opera Kansas, Madame de la Grande Buche in Beauty and the Beast with Smet Theatrics, Marmee in Little Women with UTampa Theatre, and The Beggar Woman in Sweeney Todd with IU Opera Theatre. Upcoming, Faith joins American Stage as Ms. Square/Mama Square in Polkadots: The Cool Kids Musical, performing throughout Hillsborough County, FL.

With the IU Opera Chorus, she performed in Roméo et Juliette (Lady Capulet), Don Giovanni, and Candide (Prison Driver) under the direction of chorus master Walter Huff. She has also appeared at Miami Music Festival, Interharmony International Music Festival, and as a featured soloist in sacred, operatic, and concert repertoire.

As an educator, Faith has taught private voice students in both classical and musical theatre styles. Her teaching emphasizes healthy vocal technique, expressive storytelling, and confidence-building at every level. Drawing from her studies in Uta Hagen, Meisner, and Stanislavski technique, she integrates dramatic principles into her vocal coaching, helping singers bring authenticity and depth to performance.

Faith’s theatre experience includes roles such as Maggie in Minor Bird (New Getchell Staged Play Reading, Southeastern Theatre Conference), Rabbi/Hannah/Henry/Ethel in Angels in America, Babette in The Arsonists, and Philaminte in The Learned Ladies.

Performer. Educator. Industry veteran.

With over twenty-five years in the entertainment industry, Marcella (Marcy) Meredith brings a rare blend of professional artistry, vocal science, and teaching mastery to The Bach School of Voice. She holds a Bachelor of Music from Berry College, a Master’s degree in Vocal Performance from Georgia State University, and a Master of Science in Communication Sciences and Disorders from the University of South Florida (Tampa)—a combination that uniquely equips her to guide singers with both technical precision and holistic care.

Marcy’s teaching career spans collegiate and private instruction alike. She currently teaches college-level vocal technique at the Atlanta Institute of Music and Media, alongside her own Meredith Studios in Gwinnett County, Georgia. A passionate and performance-driven instructor, she enjoys working with both young professionals and beginners—building voices that are healthy, expressive, and career-ready.

As a performer, Marcy’s resume is as diverse as it is impressive. She spent more than 15 years with the Atlanta Opera Chorus, sings with Concordia, a polyphonic ensemble specializing in Medieval and early music, and performs as half of the duo Acoustic Love. Her work extends across opera, musical theater, rock, and commercial music, and she’s shared the stage with renowned artists including Miranda Lambert, Zac Brown Band, Styx, Eric Church, Burke Moses, Moses Hogan, and Arthur Fagen, among many others.

A proud member of Actor’s Equity, Marcy continues to balance her performing career with her deep commitment to vocal pedagogy. As a member of The Bach School of Voice faculty, she embodies the school’s mission—uniting artistry, technique, and science to prepare singers for success in the real world.